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Rudolf Leidolf
Wetzlar - Germany
I have
tried to dig up some detailed informations about the Leidolf company,
but unfortunately I have not been very successful. It seems like the
Leidolf company was established 1921, and that their main range of
products were microscopes and related optical equipment. After the II
World War, in 1948, Leidolf began producing medium-quality cameras, and
allthough they shared the same hometown as Leitz and the Leica, neither
quality or origin has anything to do with Leitz. Leidolf produced
a quite nice range of cameras until 1962, and the Lordomat stands out as
the most popular model among collectors, partly due to the good
functionality, and partly due to its appealing design and the option of
changing lenses, which were made by either Rau, Schact, Will or Enna.
The lenses marked as "Leidolf" and "Schact" are the most common.

Leidox 1950/52
I (IA,II) VF
Serial no.: 15300
Format: 4 x 4 on 127 rollfilm
Optics: Triplet 1:3,8 50mm
Shutter: Vario B + 1/25 - 1/75 sec. - 1/200 sec.
The Leidox are a very very
simple camera. As you might see on the photo above, the camera body are
simply laquered, and you'll find nothing on the Leidox but the
absolutely necssesary. The only feature that stands out are the square
strap lugs, which doubles as locks for the removable back that slides
off. By turning both strap lugs 90 deg. counter clockwise, the camera
back are unlocked. That's in fact quite clever !!. The shutter release
button are placed on the lens barrel on the right. The 4 x 4 format sets
its natural limits for regular use. The Leidox from 1950 are more of a curiosa
these days, than actually an useable camera.


Leidox 1952 VF
Serial no.: 22530
Format: 24 x 36 on 35mm film (135)
Optics: Leidolf Lordon 1:2,8 50mm
Shutter: Prontor SV B + 1 sec => 1/300 sec. + selftimer
In comparison with the
Leidox 4 x 4, this Leidox offers some great improvements. The first
being of course the 24 x 36 format, but also when it comes to a much
better shutter. The finish is also much better, the body covered with
leatherette, and a beautiful nickel plated top cover. It's still a
rather simple camera with no rangefinder, but it feels and looks a lot
nicer. The shutter release button are on the top cover, there's a
framecounter and a double exposure prevention, and it's got the same
square strap lugs which are also locking nuts for the back cover.
Allthough Karen Nakamura doesn't think much of
the Lordox, I find it rather charming, and the finish is not bad at all.


Lordox Junior
1954 VF
Serial no.: 122534
Format: 24 x 36 on 35mm film (135)
Optics: Leidolf Triplon 1:2,8 50mm
Shutter: Pronto SV B + 1/30 sec => 1/250 sec. + selftimer
The black
front Lordox from 1954 offers an entirely new outer design. People who
don't find the Lordox attractive just hasn't got any taste at all, -good
taste that is. It's a sleek rounded body that feels comfortable, and it
features the somewhat strange double stroke rapid advance lever, which
moves from the front and backwards. Just to the left of the advance
lever are the manual reset frame counter. The shutter release button,
are the rod that sticks up from the lens barrel. By looking on the front
plate, it is obvious that it is ready for a coupled rangefinder, as it
is the same front cover as on the Lordomat. The camera back comes off by
turning a neatly designed finger grip 90 deg. counter clockwise.


(Left Lordomat with Lordonar
1:3,5- 35mm +
35mm viewfinder - Right with Lordon 1:2,8 50mm standard lens)

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Lordomat
Standard I (1955) RF
Serial no.: 63095
Format: 24 x 36 on 35 mm film
(135)
Optics: Lordon 1:2,8 50mm (Leidolf bayonett)
Shutter: Prontor SVS B + 1 sec. => 1/300 sec + s.timer
Accs.:
Schacht-Travenar 1:4 135 mm
Schacht-Travenar 1:4 90 mm
Mics.: Coupled rangefinder, interchangeable lenses
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Lordomat
Standard II (1956) RF
Serial no.: 92730
Format: 24 x 36 on 35 mm film
(135)
Optics: Lordonar 1:2,8 50mm (Leidolf bayonett)
Shutter: Prontor SVS B + 1 sec. => 1/300 sec. + s.timer
Accs.:
Lordonar 1:3,5 35mm
Schacht-Lordonar 1:4 135 mm
Leidolf 35 mm viewfinder
Mics.: Coupled rangefinder, interchangeable lenses
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I think the Lordomat Standard
are the nicest of all the Leidolf cameras. First of all it looks good, and
secondly it feels comfortable. It's not a high end camera, and I guess the
quality are equivalent to the price level. The coupled rangerfinder has got
a faily long focal base, which is always desirable. The bigger the distance
between the rangerfinder windows the better. The Lordomat Standard also
features the odd double stroke rapid advance lever, that moves from the
front and backwards, but it actually doesn't feel that awkward at all, and I
usually use my indexfinger. The shutter release button are on the shutter
housing on the right, and the back cover locking knob are identical with the
one on the Lordox Junior. The viewfinder offers no brightlines, so you'll
probably want to use an additional viewfinder with parallax correction when
using the tele lenses. The 35mm viewfinder shown above are actually very
nice and of high quality, and features a parallax correction too, and some
very nice engravings. Talking about lenses; I'm sorry, but I simply hate
Schacht lenses !. Not that they're not capable of providing nice photos, but
it's the quality, or should I say the lack of quality!. I have handled and
seen soooo many Schacht lenses with coating problems, mechanical faults etc.
etc. However if you really want a Lordomat outfit you probably can't avoid
the Schacht's, but check them very carefully !.


Lordomat SLE
(1960) RF
Serial no.: SLE-227503
Format: 24 x 36 on 35mm film (135)
Optics: Leidolf Lordonar 1:2,8 50mm (Leidolf bayonett)
Shutter: Prontor SVS B + 1 sec. => 1/300 sec. + selftimer
Accs.:
Schacht-Lordonar 1:3,5 35
mm
Schacht-Lordonar 1:4 90 mm
Misc.: Coupled rangefinder + non coupled lightmeter +
interchangeable lenses
I don't know. Is it just me,
or does the Lordomat SLE resembles a flat nosed elephant ?. Apart from
that, it's not bad at all. The 1960's SLE has got a nice big viewfinder
with brightlines, a non coupled lightmeter with a read-out scale on top
of the camera housing, and an ordinary one stroke rapid advance lever.
The rewind knob features a fold down crank handle. The shutter release
button are placed on the front cover just to the right of the lens, and
I prefer to use my middlefinger for releasing, and winding with my
thumb. The SLE share the same bayonett mount as the Lordomat Standard,
and it also got the same back cover locking mechanism. The entire camera
back slides off for film loading. Unless you can't live without a
built-in lightmeter, I would prefer the Lordomat Standard instead of the
SLE. The SLE just hasn't got the same "Leidolf charm" as the Standard.
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