*The Collection

*Zeiss-Ikon

*Contaflex
*Contax
*Contarex
*Contessa 35
*Contina page 1
*Contina page 2
*Contina folders
*Ikonta
*Ikonta 35
*Nettar
*Super Ikonta
*Super Nettel
*Vitessa 500

 

Nettar

 

  The Nettars...... What can I say.. Allthough they are very simple low-level cameras, they still have a place in my heart for several reasons.  First of all they are very easy to find in excellent condition, and what's even better; they often work perfectly. Secondly they are the kind of medium format camera that all newcomers in my opinion should be forced to use as an entry level student camera. It's simple, easy to overlook and you get to know the basics in a simple way because the Nettar is a simple camera. You can find a Nettar for very little money, and don't think that the Novar lenses can't deliver sharp pictures. They can !. You just have to work within the limits that the Nettars have, and be creative in using the possibilities that they also offer. The Nettars folders forces you to make decisions, allthough without too many choices, and they force you to learn 2 extremely important things: depth-of-field scale focusing and using a manual handheld lightmeter; both very essential skills you will always need to master. Why?. Because no chip or electronic circuit can ever replace the eye and human touch of a creative photographer. Ever !. So go out and play with a Nettar !!.

The Zeiss-Ikon Nettars were a very successful series of cameras, maybe one of the most successful Zeiss cameras. They were introduced in the late 30's and were manufactured in a number of versions until the mid-late 50's. They were equipped with a number of shutter/lens combinations, and with several different topcovers. Of course the ones fitted with a Tessar are more desirable than the ones with Novar lenses, but don't underestimate the Novars.

 Nettar 515/16 (1937-1941) VF
Serial no.: R 71079 *
Format:
  6 X 6 on 120 roll film
Optics:
  Novar Anastigmat 1:6,3   75mm
Shutter: 
Vario B + 1/25, 1/75 and 1/200 sec.

This early Nettar has got something beautifully simple about it. I dont think a medium format folder gets much more simple than this, and its precisely the simplicity that makes it both attractive and beautiful. The ornamented strap lugs, designed chrome parts and foldable wind-knob are truly small pieces of art, and the folding viewfinder makes the Nettar a very compact 6 x 6 folder indeed. You don't get many options with the Vario shutter, and the f 6,3 Novar lens needs some light, but there is no reason why You shouldn't be abale to make some intersting shots with this camera. Note that the lens/shutter baseplate still has got the fixture for a prism viewfinder. I haven't tested whether a prism will actually fit in the housing when the camera is folded, and it could be that the baseplate with prism bracket have been a surplus part from other cameras.


Nettar II - 517/16 (1951 - 1955) VF Late model
Serial no.: O 9555
Format:
  6 x 6 on 120 rollfilm
Optics:
 
Zeiss Novar Anastigmat 1:6,3 75mm
Shutter: 
Vario B + 1/25, 1/75 and 1/200 sec.

All the Nettars basically share the same body, but the top covers were changed and re-designed over the years. This 517/16 has go the square viewfinder housing and this model is very commonly found 8in Denmark at least). Apart from that it's in fact identical with the 515/16 shown above. Please note the beautiful knobs and tripod mount on the bottom plate. Isn't that just pure art ?. Both knobs releases the film spools when loading/un-loading the camera, and ingeniously simple they are spring tensioned mounted on the same powerful long blade-spring. A very rugged construction.



Nettar II - 517/16 (1951 - 1955) VF Early model
Serial no.: U 30457
Format:
  6 x 6 on 120 rollfilm
Optics:
 
Zeiss Novar Anastigmat 1:4,5 75mm
Shutter: 
Pronto B + 1/25, 1/50, 1/100 and 1/200 sec.

This version of the almost indestructable Nettars has got the curved, rounded topcover, and the slighty more expensive 1:4,5 Novar lens and a Pronto shutter. As You might have guessed by now, the camera body and the folding mechanism are the same as on other Nettars. Why change a good thing ?. The technical simplicity af the Nettars combined with a design that have proven to be extremely reliable makes the Nettars one of the Zeiss-Ikon all time greats, and despite the fact that they were quite "low end" it's remarkable how many of them that are still fully functional, and how they are capable of giving pleasure and fun to photographers more than 60-70 years after they were designed.  I dare you to pick one up at the local garagesale or fleamarket, and test the functions. Statistically there's a good chance that it'll be fully functional.