Welcome

Biography

The Collection
-introduction

*Adox
*Agfa
*Aires
*AKA
*Altix / Altissa
*Balda
*Bauer
*Beier
*Belca / Beltica
*Bolta
*Braun
*Certo
*Curt Bentzin
*DeJur / Neidig
*Diax - W. Voss
*Edixa - Wirgin
*Eumig
*Exakta - EXA
*FED
*Futura-Fritz Kühnert
*Infra - B.J. Oehler
*Kiev
*Kodak - Nagel
*Kochmann
*K.W.
*Leica - Leitz
*Leidolf - Lordox
*Lipca
*Mimosa
*Neidig/DeJur
*Olympus
*Panta-Dr Rodehüser
*Pentax
*Photavit
*Plaubel
*Praktica
*Reflecta-C. Richter
*Regula - King
*Robot - Berning
*Rodenstock
*Rollei
*Voigtländer
*Welta
*Werra
*Zeiss-Ikon

*Contaflex
*Contax
*Contarex
*Contessa 35
*Contina page 1
*Contina page 2
*Contina folders
*Ikonta
*Ikonta 35
*Nettar
*Super Ikonta
*Super Nettel
*Vitessa 500

*Zenit
*Zorki

*Misc. equipment

Top Lists

For beginners

Service & repair

Gallery

Links

Contact

Guestbook

Marketplace

About Denmark

Free Jazz CD !

Chat online !
 
-opens in new window

 

  The Zeiss Ikon history

Anything that I would think of writing regarding the long and turbulent history of the Zeiss Ikon company, or rather companies, have been told and written so many times before. It seems rather pointless to repeat all those experts who are so dedicated in their interest in Zeiss Ikon, and whos knowledge are so much better than mine. I think we all know, that Zeiss Ikon have had a massive impact and a great influence on all areas and aspects of photography for more than 160 years !. Due to the fact, that Zeiss Ikon in the early years swallowed up many other german companies like f.e. Goerz, Contessa-Nettel, ICA and others, their range of products and product variations were vast. The Pacificrim website mentions that "In one year, they had 104 different models in their catalog, with a choice of nearly 1000 combinations of model, format, lens and shutter!". I can't help thinking how different the history of Zeiss Ikon would have been if they had been more focused, and put all their energy and effort in a smaller, more narrow, range of products. Well, just a thought.
 

 


Carl Zeiss in Jena around 1910. Note the Ernst Abbe Memorial Pavillion seen at the bottom of the postcard.
 

  Carl Zeiss himself was born in 1816 as son of a toymaker, and after some studies at the Jena University, he opened his own workshop in 1847. The following years he developed many innovative microscopes and lenses. As early as 1872 he met Ernst Abbe, who without any doubt is the most important person in the Zeiss history, maybe more important than Carl Zeiss himself, who died of natural causes in 1888. His son Roderick Zeiss who had joined the company retired shortly after his fathers death. It was also Ernst Abbe who met Dr. Otto Schott of the Schott Glaswerke, and this cooperation subsequently led to new higher levels of both lens quality and performance.
 


Carl Zeiss
 

The fact is, that many great innovators and brilliant engineers have been working with Zeiss Ikon, and apart from the obvious influence from Ernst Abbe, Otto Schott and Paul Rudolph, without whom things might have looked very different, I also have to mention Hubert Nerwin who more or less picked up the pieces from the first unreliable Contax designs, and re-designed it to one of most famous and desirable 35mm cameras ever to have been produced; the Contax II. Hubert Nerwin continued to design cameras for Zeiss Ikon, which all are loved and treasured by users and collectors alike. One engineer though, did not at all like working with Zeiss Ikon, and that was Dr. August Nagel, who joined together with Contessa-Nettel when was it merged into Zeiss-Ikon.To quote Mr. Peter Naylor of Australia: "Urban Legend has it that the other Board members were fond of putting Dr. Nagel down because of his lack of tertiary qualifications, which the others had in spades" It is said that he left in great anger, and he subsequently established his own company, Dr. August Nagel Kamerawerke in Stuttgart which later was bought by Kodak and we all know what wonderful cameras that came out of the Nagel factories, so thank God he didn't stay on, but chose his own way and destiny ;-).

 


Carl Zeiss in Jena around 1930
 

The Carl Zeiss Foundation

I have always found, that one of the very interesting aspects of the Zeiss-Ikon history are the social responsibility and care for the workers and their families that Zeiss Ikon have shown, mainly through the Carl Zeiss Foundation even since the very early years. The Carl Zeiss Foundation were founded by Dr. Ernst Abbe back in 1889, who turned over all his shares to the Foundation, and soon after he was followed by Dr. Otto Schot. The shares unified in the Carl Zeiss Foundation meant, that ownership of both the Zeiss company and the Schott Glaswerke was secured. The statues of the Foundation itself guaranteed the personal rights of the worker to an extend that had not been seen before at that time, and workers was given rights to choose their own representatives that held (and still do today) seats in the Foundation Board. One of the statues expresses Ernst Abbe's thoughts about the Foundations commitments and aims which were:

To fulfill higher social duties, than personal proprietors would permanently guarantee, towards the totall number of of co-workers in its employ, in order to better their personal and economical rights.

 


Ernst Abbe (1850 - 1905)

The statues guaranteed all workers the same and equal opportunities regardless of social status, religion or political views, and that all workers and employees should be able to educate and make career advancements based on his or hers personal skills and talent only. Furthermore the Foundation guaranteed all workers fair minimum wages, a 9 hour working day (from 1900 changed to 8 hour workday !), paided vacations, social security and free medical treatment in case of sickness, a share of the profits, compensation in case of invalidity and last but not least a retirement pension. The statues define these conditions roughly like this:

This basic wage is guaranteed for piecework and for any necessary short-hour work. It is paid for time missed through unavoidable and unintentional absence from work such as are inseparable from political and family life, on the first day of an illness, during nay unpaid activity in the service of the State and community, and on similar occasions. ...... Vacations which are fixed in the Foundation statute of six days for workmen, now gradually increase with the service age to as long as three weeks and are recently being paid for with an addition of 30 per cent to the fixed weekly pay. Overtime on week days is subject to an extra pay of 30 per cent, and on Sundays of 60 per cent of the fixed weekly wage. This fixed weekly wage also serves as basis for calculating pensions.  After five years, every Zeiss employee and worker can claim 50 per cent of his weekly wage for pension in case he is invalided, and after ten years of work this claim rises on per cent per year, up to a final maximum of eighty percent of his wage earnings. The pension of the widow is 50 per cent of the husband’s pension after five to ten-year service period and rises one per cent for each additional year to a maximum of 60 per cent after twenty-year term of service

 This is truly amazing..... Even today millions of workers all over the world (-even in countries like the U.S.) do not have these rights and/or still fight for such rights. The ideas and visions of Ernst Abbe were not just truly remarkable in their time, but the ideas and principles seem just as vibrantly alive, needed and timeless in their visions now as they did well over 100 years ago.   

I have no doubts whatsoever, that the guidelines and policy laid out in Ernst Abbe's original statues for the Carl Zeiss Foundation have been one of the main reasons for the companys succes, leading market position and maybe most important of all, the high finish and quality of the Zeiss products. The Zeiss workers took an enormous pride in their company's name, and would never allow anything substandard to leave the factory. Why does it seem, that so many corporations still haven't learned this lesson even today?.

The II World war

Well as far as Zeiss-Ikon are concerned, the II World War, and the consequences after the war was basically one big mess... If you follow the links below, you can read all about it, but basically it all ended up with 2 mayor players in the Zeiss-Ikon game; Zeiss-Ikon in Oberkochen in the west and VEB Pentacon in the east. Of course the russians had stolen almost evrything they could, and had it shipped to the Soviet Union, and the americans had tried to relocate talented engineers to the US, but nevertheless the Zeiss-Ikon company in Oberkochen must be regarded as the "true" and "genuine" postwar Zeiss-Ikon.

Even today Carl Zeiss AG remains one of the finest manufacturers of optical products, and allthough photography is not anymore the core business of Zeiss they still produce some of the finest lenses around, and by introducing the new ZM and ZV series of cameras together with a complete range of lens options they have once again regained the position they deserve as manufacturers of high-end cameras and equipment.

If you wish to know more about the history of Zeiss-Ikon I recommend that you visit the following websites:

Official site of Carl Zeiss AG, Germany

Biography of Hubert Nerwin

"Something Zeiss to say"

"My own story" by Klaus-Eckard Riess

Want to know more ?  Google is your friend ! ;-)
 

My  Zeiss-Ikon collection

I must reluctantly admit, that I for some time have been neglecting my Zeiss-Ikon collection. Not for any reason in particular, but I have just been occupied with other interests and other camera brands. One should think, that it would be so very easy to collect Zeiss-Ikon cameras, but actually this is not the case. The problem is the massive multitude of cameras and models, each with numberless variations. This makes it somewhat hard to choose those models which are representative, that is if you don't want to engage in the lifelong quest in collecting a complete Zeiss-Ikon collection. I have no such intentions. I am pretty sure, that i've now found my own way how strange it may seem to others. When looking at the vast number of Zeiss-Ikon cameras that have been designed and manufactured there are some that appeals to me more than others.  Not necessarely the most rare ones, but the ones that are my personal favourites and the ones that someway have also made a difference in history. I feel that these are the ones that I should concentrate on. So don't ask me why "this and this and this" are not represented in my small collection. Some will be added later, and others will never enter the collection. Period.

Except for some of the late medium to low-leves cameras, all Zeiss-Ikon cameras that I own, have owned or just used has given me great pleasure and satisfaction. Regardless if it is a Contax, Ikonta, Contarex or even a Contina you can feel the quality and the pride that have been put in manufacturing these cameras. They are designed, assembled, adjusted and meant to be: Ikons from Zeiss...

Please navigate through my Zeiss-Ikon collection by using left side menu !